
The identity of art’s most famous ‘faceless woman’, Ida Hammershøi
Vilhelm Hammershøi’s paintings, quiet and enigmatic, often capture a recurring figure—his wife, Ida, turned away from view, her back facing the audience. In Hammershøi’s 1901 work Interior in Strandgade, Sunlight on the Floor, a woman sits at a table, shrouded in the soft, silvery